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Pet Peeve about Finales

May 13th 2009 18:32
There is one thing that has always bothered me, irked me to no end, with respect to the various networks and choices that are made about programming and finales of shows; if you're gonna end a show and you know it, please don't end the season on a cliff hanger and don't pretend like you don't know you're gonna end a show.

Truly, nothing bothers me more than a show being left on a cliffhanger forever, as it is just annoying and disrespectful to the viewers of a particular show. Sure, the show is being canceled due to low ratings, however networks should still be respectful of the viewers that they did earn, instead of punishing them for a lack of being able to punish the non-viewers.


Cliffhanger finales should be left for shows that are being renewed, as it builds up conversation about a show, all the speculation about what will happen, while the show is in reruns or, as is common today, letting another show use its time slot. Many people remember the cliffhanger that was Captain Picard being turned into a Borg, it was an awesome build up to what followed and left people wondering what was gonna happen next.

But, when a show is gonna be canceled, or is on the cusp of being canceled, networks should not be jerkish to their viewers and let a show cliffhanger into infinity. It isn't that hard, or it doesn't appear to be that hard, to give a season a soft closure moment, just in case the show is canceled.

Look at NBC's Life, it was given a soft closure, that was easier to transmute into a full and firm closure, due to the show being on the cusp of cancellation. As NBC said on May 4th, Life was canceled, yet while the audience is disappointed, I know I am disappointed, there was still a sense of closure for the story and characters of that show. Heck, the closing moments, for me, with Cruise and Reese looking at each other while the voice over helped drive the point home was a solid point, I even told a friend that I could see them ending the arc, let alone the series, on that note.


Life on Mars did it right, too, as ABC gave the audience closure, instead of leaving them guessing what was happening, what the truth was, and what was coming next. Chuck left the season with a cliffhanger, but it, too, was a soft closure moment, where the series could have ended on a good note. Sure, Chuck was renewed, thus giving us more stories and a lot of potential for coming arcs, but it was easy to think of it as closure, too.

But, shows like Threshold and Surface, to name a few, are left in unanswered cliffhangers, forever.

I think networks are getting the clue, though, especially after leaving a show like Jericho in cliffhanger, at least until the fans revolted and got the more endcaped second season. The networks seem to be focusing on shows that can be either in a short cycle, ala British Television, or producing proper endings to a show that is not going to be renewed.

We'll see, though, if this is truly a trend or if the networks are going to slide back into the habit of just holding out until a show is over to cancel, so as to not lose, in their minds, more ad dollars. Hopefully, though, they'll focus on the viewers who were loyal to the show, to the bitter end, and give the audience what they want and deserve...closure.
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My Thoughts on ABC's Castle

April 10th 2009 00:55
Now I'll fully admit, I like watching Nathan Fillion on the screen, big or small, so my liking this show should come as no surprise, since it show cases Fillion's talent and adds to it. But, it's not just Fillion, Stana Katic does a damn fine job, too. In their respective roles, as novelist Richard Castle and Detective Kate Beckett, we get an interesting chemistry between the two, which starts out more terse and grows into a respect. Now it might seem formulaic, in that you expect the two of them to grow interested in one and other, but I don't think, not fully at least, that that is the lesson we're going to see here.

See, both Castle and Beckett started out underestimating each other, with Castle just seeing Beckett as hot "lady cop" and Beckett seeing Castle as this lascivious hack, but then they look beyond the surface and see more than what they first judged each other about. In fact, it seems to be a double wordplay, in that the show is about looking beyond the cover of a book.

Joining Fillion and Katic is an interesting and talented cast, each in an important supporting role to the titular character and his foil. One stand out amongst this impressive cast is that of Molly C. Quinn as Alexis Castle, Richard's saged teenage daughter who seems more mature and grounded than her father, even though Fillion is very believable in the role as single-parent. The father-daughter interplay is one of the better subplots of the show, interplay that often leads Castle to a moment of epiphany in his current case or new series of novels, based on Beckett's character, that are replacing his prior series, of which he just killed the hero within and ended.

In addition to Fillion, Katic, and Quinn, the supporting cast is full of excellent actors, such as Susan Sullivan as Castle's eccentric mother, Seamus Dever and Jon Huertas as members of Beckett's team, with Tamala Jones and Ruben Santiago-Hudson who, respectively, are the medical examiner and Captain that Beckett works with the most. While the show is not an ensemble show, there are times that it feels close to it, as the supporting characters each, as well as often, fill a scene quite well.

While on the surface a show about a writer who needs a new muse, yet finds it in the unusual place of working with a team of detectives solving real crimes, might seem a bit odd, or even like Moonlighting with a twist, but it's not. As the show plays out, it has a different feel or vibe to it and I think, given time, the viewers will not only want to see where it goes, but like it.

I know I want to know.
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My Thoughts on BBC Wales' Torchwood

February 26th 2009 02:14
Science Fiction and Fantasy is a cornerstone of my entertainment venues, be it print or video, and Doctor Who has been a staple of enjoyment for me since well before the current era of the series. So, it should be sort of surprising that up until last week I had not seen an episode of BBC Wales' Torchwood.

Odd, huh?

Anyhow, thankfully Torchwood Series 1 & 2 are on BluRay and easy to rent from various on-line vendors, not to mention for sale, too. Thus, once my rentals arrived, I popped Disc 1 of Series 1 into my PS3 and went on a little adventure.

First surprise of my maidenhead moment with Torchwood, language and sexual situations are of a less family hour nature, it's more in line with what you would see on broadcast cable in the United States. It's not a bad thing, mind you, but more of a comfort level for what sort of fiction that you life to watch and life to have your family watch. The sexual situations are not graphic, no nudity mind you, and the language is mild, but there are some S-Bombs dropped here and there.

That said, Torchwood is an excellent show, as we are following the continued adventures of Captain Jack Harkness, the immortal time traveling omni-sexual from many millennia from now. With this nigh eternal man are his crew of Torchwood Three agents working out of a hidden base in Cardiff, Wales. We've the newest member, Police Constable Gwen Cooper, who is the police liason between Torchwood Three and the local law who tries to maintain her balance as the normal one who is the human connection for the audience. Next we have Dr. Owen Harper, a cocky womanizer with brains to match his libido who sees nothing wrong with the misuse of alien tech to get a lady in his bed. Then we've Toshiko Sato, the resident computer geek and braniac of the team. Lastly, Ianto Jones, sort of a Jack of All Trades general operative for the team who, as Harkness puts it, "gets us there on time."

Overall Torchwood is an excellent addition to the Doctor Who universe, although it handles subject matter of a more mature level, including sexuality and sexual identity, in addition to the normal types of science fiction subject matter that you'd find in Doctor Who, like misuse of technology, alien invasion, and lots of running around, from place to place. For me, the key element of the show is Gwen Cooper and her helping the team regain, or try to regain, whatever semblance of humanity and connectivity with society that they have lost. The victims of these events are more then subjects, more than its, as they are people, too.

It's a very Doctor Who things to say, I think, ain't it?
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What is it about television executives that makes it a surprise when a solid show like Leverage, Tuesday on TNT, is renewed? Why are we the viewers so accustomed to pessimism, with respect to new shows? Is it because of shows like Firefly, an instant cult classic, with modest theatrical numbers with Serenity, were killed so ruthlessly that we dare not hope?

It is so odd, in my opinion, that I am not only the target market for most television, but that I am also, quite often, disappointed when the network kills a good show, yet strings along a mediocre show, simply because the former challenges the viewer while the later expects little of the viewer. Look at how much of a percentage of airtime goes to reality-based programming, although I should be quotes around reality since people act to a character on those shows, too


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Now I have been a fan of 24 since its inception, as I enjoy the action sub-genre of military and espionage super heroics, even with the anti-hero realism and potential realism of Jack Bauer's extremes. But, I will say that the last couple of seasons, five and six, were not at the pinnacle of the series' potential and this is after performing a marathon of Season Five and Six over the past few months before moving on to Season Seven. 24: Redemption was an okay prologue, it added the groundwork for this change in the series.

Now, at this point, fair warning that there will be some spoilers if you have not watched the first four hours of Season Seven of 24, if you continue past this point, right here, any spoilers are your own fault and I do not want to hear about it


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My Thoughts on TNT's Leverage

January 1st 2009 05:00
If there is a television show that has had the dominoes fall at the right moment, in the right order, seemingly out of no where, to be one of the new 'it' shows, then I feel that Leverage, on TNT, is one of those shows. If, like me, you enjoy Burn Notice on USA, you will definitely enjoy Leverage. Not only is the ensemble cast excellent in their roles, but the writing is tight, too and has the luck of coming at just the right time, with some of its plots seemingly pulled from the headlines, except they were created before the headlines.

While it could be due to the fact that one of Leverage's creators, John Rogers, is also helming the show as an executive producer, it might also be due to the famed producer, Dean Devlin, being involved and directing some of the shows episodes. But, then again, it could be Timothy Hutton playing the lead, Nathan Ford. But, even with an Academy Award winner like Hutton on the show, you could just as easily point to the well-done jobs done by the impressive Christian Kane, of Angel fame, the witty Aldis Hodge, the beautiful and talented Gina Bellman, or the eccentric and alluring Beth Riesgraf


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SciFi Saturday - Sands of Oblivion

December 21st 2008 03:01
It doesn't happen often for me, but I found myself enjoying a SciFi Saturday movie on the SciFi channel, which is normally the hiccup point for a direct-to-video science fiction, fantasy, or horror movie that isn't totally bad, but didn't earn a theatrical release. The movie in question is Sands of Oblivion, which is about the real Ten Commandments being found on a lost movie set that held an imprisoned Egyptian God, who looks like Anubis, but ain't, and who seems rather ticked off now and takes it out on the expedition.

Heck, Freemasons are at the core of the plot, and it has to be a fun take on Ancient Egypt and the fascination with it that flooded the world with the modern discovery of the PYramids and Valley of the Kings


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My Thoughts on CBS's The Mentalist

October 30th 2008 08:38
CBS' The Mentalist follows the exploits of Patrick Jane, played by Simon Baker, a reformed charlatan psychic who assists the California Bureau of Investigation after the tragic murder of his wife and child following his "psychic" insight into a serial killer known as Red John. Jane is partnered, nay under the supervision of Senion Agent Teresa Lisbon, played by the lovely Robin Tunney, and her team of Agents Cho, Rigsby, and Van Pelt, who are played, respectively, by Tim Kang, Owain Yoeman, and Amanda Righetti.

It is the ensemble cast that I feel will be the strength of this show, which garnered a full season buy from CBS on the 15th of October, and the inkling of a metaplot involving Jane's desire to catch Red John, the killer of his wife and child, while working his uncanny powers of observation and deduction to help the CBI solve cases. While it would be easy for some to draw a parallel between Jane and other detectives with astounding perception and reasoning skills, it should be noted that unlike many of the others, Jane is actually most balanced mentally, socially well adjusted, and, thus far, seems to be coping with his loss in a reasonable manner


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My Thoughts on FX's Testees

October 24th 2008 23:45
So, I'm the kind of guy who enjoys comedies, yet normally avoids them, save for if I'm hanging out with someone who wants to watch a comedy. It's odd, because I'm normally into comedies, love the humor, and just dig the whole satire and irony thing, yet I just don't watch them that much. But, thanks to doing this blog, I've expanded my horizons, which brings me to FX's Testees.

As you can see, even the title brings a fun, juvenile giggle to most folks and if you didn't laugh, even a little bit, I'm so sorry and sad for you. *grins


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Okay, I promise to do my best to keep politics out of this, as this is not a political blog, but a blog where I blather, or babble I should say, about television. But, due to whom I'm about to talk about, some politics will bleed through.

I'm a dyed in the wool moderate, which is why I'm able to watch Foxnews, CNN, and BBC America and get what I want and need from them all. All three are enjoyable, informative, and have a good handle on their presentation of the news, but all three have different stances, too. Foxnews is conservative, CNN is liberal, and BBC America is moderate


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