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TV Babble - September 2007

Babble On - Heroes

September 28th 2007 00:37
Hiro in Times Square
Yatta!*
This is a post that I have intended to do for a while, and since it seems very unlikely that I will be able to finish the recaps of Heroes before the second season returns to Australian screens, then there is no time like the present.


I’ll admit that I was very sceptical about the show, and the unoriginality of the tagline ‘ordinary people discovering extraordinary abilities’ did little to allay my fears. I suspected the whole thing would simply mimic previous incarnations of the same premise, such as X-Men and Mutant X. I decided to tune in anyway, purely because of the huge amount of internet buzz surrounding the show.

Suffice to say, I was blown away. The first season offering of Heroes is simply incredible, and easily one of the best shows of its kind to appear in recent times. The programme acknowledges the origins of superhero characters, and emulates comic book styling through its online offering, and even in the show itself. The writing encompasses short story arcs that build upon the overall plot arc, while the stunning visuals are reminiscent of the stylistic illustration of American comics.

However, what really sets Heroes apart are the characters. Using the freedom that television offers, the writers have taken the characters beyond the two dimensions of the comic book page, and fleshed them out to be realistic, flawed and relatable people. The relationships between the characters are also wonderfully touching and complex, as existing bonds are tested and collisions ensure that new ones are formed. There is no inherent good and evil, and people choose their path through the circumstances in which they find themselves – heroes and villains seldom announce their arrival, and the line between the two is often unclear.


The show certainly isn’t perfect – the opening episodes of the first season are undoubtedly the weakest, as the series took time in building its momentum. As a result of its comic book influences, the dialogue can be a tad stilted at times, and overly clichéd. However, this is a small price to pay when compared to the brilliance of the show. The writing and continuity are top-notch, and the unfolding story arcs play out the journeys of the characters beautifully. The cast of the first season was also phenomenal, and hopefully the new second season additions will live up to the standard set.

Ultimately, the message of the show is that heroes become heroes by virtue of their actions. Life, fate and destiny throw obstacles and opportunities in the way, and the choices that someone makes will shape the person that they become. Do you take a step, or take a leap? Should you keep your feet on the ground, or soar high? Do you become a hero, or a villain?

After such a stellar first season, I’m hoping that the second season does not disappoint. The second season has just begun in the US, and thankfully the latest series has been fast tracked to Australia, albeit with a short lag time. The series will return Thursday 4th of October, at 9.30pm, on Channel Seven.

*Screencap courtesy of Wikipedia, and used under Fair Dealing for identification and critical commentary.

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Happy Birthday, TV Babble

September 25th 2007 04:40
This is slightly belated, but over the weekend TV Babble celebrated the anniversary of its creation. Granted, for much of that year, I haven't been as active on here as I would have liked. Despite that, this has been such a wonderful and rewarding experience. I've reached a far larger audience than I ever thought I would, and in return have read some absolutely fantastic pieces. There are many truly phenomenal people on this network, and I am grateful to have had the chance to converse and interact with you. I have enjoyed and cherished every comment left on this blog. The relationships I have formed here have given me opportunities that I never dreamed I would have (particular mention should be given to the fabulously gamma DuskDevi).

I should stop now, as I am fast running out of adjectives! Thank you, Orblers, for a great year. I can't wait to see what surprises the next one will bring.

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According to News.com.au, Australians are once again developing a taste for Aussie drama.
City Homicide
City Homicide Cast*
It's no secret that scripted television produced down-under has a tendency to die a quick and painful death - over the last seven years, sixteen dramas have made brief and forgettable appearances on network TV, costing said networks millions of dollars. However, perhaps Australian drama was never really dead - was it simply bound and gagged in a car boot the whole time?

Two series have managed to buck the trend - Nine's Sea Patrol and Seven's City Homicide. The former is currently in production for its second season, which is set to include Ugly Betty's Alan Dale. A second season of the latter was commission after only four episodes were aired.

Despite not being a viewer of either of these shows, I think it is a pretty fair assumption that neither is particularly ground-breaking. However, at the core of a drama should be the relationships between the characters. The fact that people are tuning in indicates, to me, that the writers must be fulfilling that requirement well.

I did watch the premiere episode of City Homicide, and was pleasantly surprised by what I saw. It was another procedural cop drama, but it seemed to work because the characters had personalties and quirks. I tend to only be an occasional viewer of shows in this format, so I admit that I won't be making any particularly effort to be tuning in again. Regardless, it seemed the show was well put together, and unless the quality has taken a drastic downturn since the pilot, I think the programme could hold its own against American and British shows of the same ilk.

Who out there has been watching these programmes? What are your thoughts? Is the Australian market ready for more shows like these? Can something that is more risky make it onto our screens?

*Image courtesy of Wikipedia, and used under Fair Dealing to illustrate the subject matter in question.

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The Chaser's War on Ratings

September 13th 2007 08:04
A big congratulations must be extended to the guys from the Chaser.
The Chaser's War On Everything
The Chaser's War On Everything*
Their show, The Chaser's War On Everything, managed to captivate an audience of 2.24 million viewers. This was up from the already impressive 1.49 million who tuned in last week, making it Wednesday's most watched programme. In fact, it was the highest rating for an ABC comedy series since the introduction of people meters in 1991.

The reason for this surge in viewers was, of course, the highly publicised infiltration of APEC security. The footage screened last night showed how the group managed to penetrate the excluded zones with incredible ease, eventually turning around of their own volition. It wasn't until Chas Licciardello exited the motorcade dressed as Osama Bin Laden that the police intervened, and even then they were more focused on Julian Morrow than the world's most wanted man


[ Click here to read more ]
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Online Buzz - The Path To TV Show Success?

September 12th 2007 01:39
It seems that American TV networks are finally catching up with the rest of the web-savvy world, and have realised that the internet is a great way to generate buzz about up and coming shows.

Congratulations, Network Television. It's about time you got here


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Why won’t you just die?!

September 3rd 2007 01:48
No, this isn’t a rant about someone I wish would leave this mortal coil. Rather, it deals with the phenomenon present in television shows and movies where it seems a character cannot be killed. It doesn’t matter how many bullets they have been riddled with; nor how many times they have been bludgeoned.

Often referred to as Hollywood Healing, this ensures that our intrepid hero can suffer incredible injuries but still beat the bad guy in the end. Often, gunshot and stab wounds are shrugged off with little more than a grimace, and the protagonist continues on in their quest. I somehow doubt that injuries of that nature would really be so inconsequential in real life, and I have no inclination to find out


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