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TV Babble - October 2006

Your Favourite Television Theme Music

October 31st 2006 04:40
While reading through the comments on Childhood Cartoons, I began thinking about the power of theme music. Several themes had made a lasting impression; Cibbuano cited the amazingly epic theme of Visionaries: Knights of the Magical Light, while Gareth linked to the rocking intro from Jayce and the Wheeled Warriors. I found it incredible that, as soon as Adrienne mentioned Lady Lovely Locks, the theme tune sprung into my mind, despite the fact that I couldn’t actually remember the cartoon.


So there’s no doubt about it – television theme tunes are pervasive, captivating and can last the test of time. Here are some of my favourite theme tunes.

Futurama*

Futurama
This one is definitely one I love – it’s even my ringtone at the moment. Christopher Tyng has created a really unusual and distinctive opening theme. He also created a host of other fantastic songs throughout the series. It’s interesting to listen to the commentaries on the Futurama DVDs where Tyng is present, as he outlines the obscure instruments he incorporates into the music.

Angel*


Angel
This theme was one of the more beautiful opening tunes on television. The solo cello is haunting and never fails to send shivers up my spine. The addition of the rock instruments gives it an edge which is fitting of the show. The final piano mirrors the isolation of the protagonist perfectly. Overall it’s an evocative theme, capable of being listened to as a piece of music in its own right.



Alias*

Alias
This is another great theme worthy of mention. It’s sort of mysterious, kind of funky, and just downright cool. Like the Angel theme, there is a certain edginess to the music that matches the feel of the show, which I believe is an important attribute in making a theme memorable. I preferred the original to the remixed version of the later seasons, but both are entertaining.


Which theme tunes are you favourites? What do you think makes a good theme tune, and why does it stick with you even if the show doesn’t?

*All images courtesy of Wikipedia, and used under Fair Dealing for review and criticism.
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Veronica Mars: Green Eyed Monster

October 30th 2006 01:30
Green Eyed Monster was another enjoyable and solid episode of Veronica Mars. The A-plot with the jealous girlfriend was entertaining and managed to mirror Veronica’s own situation at times.

As strange as it may sound, it’s good to see both Keith and Veronica making mistakes and letting their bias get in the way of their investigating. It would be a different and much less believable show if the main characters were perfect in every way. The interaction between father and daughter was also great this week, as always.
Kristen Bell as Veronica Mars*

This episode encompassed some interesting developments about Duncan and his feelings towards Meg. Considering how indifferent he has seemed about her condition every time Veronica has mentioned it, to find out now that he has been visiting her every day certainly is incriminating. Feeling guilt at Meg’s involvement in the accident wouldn’t have been something he had to hide from Veronica – after all, she felt that way herself. It indicates that there is something more here, perhaps more involvement with Meg that remains to be uncovered.

It is a good insight into what Duncan does though. When something is wrong, he shuts down and goes cold – even blocking it out like Lilly’s death. Logan is the opposite – he’s fiery and intense when something is troubling him, and often seeks out dangerous situations. Veronica didn’t like Logan’s extremes, but now she’s stuck with Duncan’s. Fortunately for LoVe shippers like myself, I can’t see their relationship lasting.

The mystery behind Meg’s laptop and her hidden secrets is also intriguing. In addition, it was a great excuse to see the wonderful Mac again, who we can hope returns for longer in future episodes.

Weevil too made an appearance, although like Mac it was all too short. His presence has brought another development (or possibly red herring) to the overall mystery – the phone call about the dead man from a number registered to the Echoll’s house.

There was some great work from Wallace as well, always amusing to see him participating in the investigation, and the temptation scenario was hilarious. In addition, there was already an ocean of mistrust between Veronica and Jackie. Much like global warming, their rivalry will certainly raise the sea level. We may see some full-on cat-fighting yet. The character of Jackie and the actress who plays her are both become a little more bearable – I no have to restrain myself from smashing the TV every time she appears on screen, but the urge is still there. Also, in true Veronica style, another mystery has been added to the mix with the enigmatic man from Chicago actually being Wallace’s father. While a tad cliché, it’s still intriguing.

Overall Rating

Apparently, the show won’t be on next week, but the week after. However, keeping in mind just how changeable the scheduling can be (the show originally wasn’t going to air this week), it’s better to keep an eye out just in case.

*Image courtesy of Wikipedia, and used under Fair Dealing for review and criticism.
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Jericho: 9:02

October 27th 2006 05:14
While last weeks episode, Federal Response, was an improvement on previous weeks, 9:02 falls into the same traps that have plagued Jericho since the show's beginning.

The episode did have its good points. Further hints were given as to the pasts of both Robert Hawkins and Jake Green. It was nice to see the interaction between Hawkins and his family, particularly shooting the Vanilla Ice CDs.
I was glad to see some character development for Jake. He was not as much of a Mary Sue this week, but his wealth of knowledge about things such as the Electromagnetic Pulse needs to be explained at some point.

Emily’s presence showed that she must have recovered from her high voltage shock. Thankfully her appearance in the episode was brief – it would have been awful if there had been excruciatingly drawn out hospital scenes with Jake by her side.

On the downside, the writers did their best to destroy two of only a handful of truly likeable characters on the show – Dale and Stanley. While it was nice to have some explanation as to how Dale actually managed to move all the food, the notion that he would approach the two no-good guys for help seemed completely out of character, as did his temperament towards the teens outside the store.
I’ve said in the past that I like Stanley, whose usual cheerful demeanour and slightly dim-witted antics are quite endearing. However, last night he was, frankly, a bit of a tool. I hope that this sort of character assassination does not continue in the following weeks.

Speaking of Stanley brings me on to what was possibly the worst moment of the series so far.
Jericho gets mighty corny*


The picking of the corn.

I’m quite convinced that the writers hate me, and in an attempt to punish me for criticising the shows saccharinity, decided to create the corniest moment yet. In the most horrific development of all, it was punctuated by corn. Yes, actual freaking corn. You can’t get any worse than that.

I’m also sick of the Mayor’s omnipresent ‘flu,’ which seems to be getting duller by the week. It would be much more interesting if he were afflicted with something akin to Captain Trips. However, since next episode is called Long Live the Mayor, I’m hoping that plotline will come to a resolution one way or the other.

Overall Rating


*Image courtesy of Wikipedia, and used under Fair Dealing for review and criticism.
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Premiere of Tripping Over

October 26th 2006 03:43
Tripping Over made its debut last night on Network Ten. Despite some problems, the show was quite enjoyable – certainly not groundbreaking, but more promising than many Australian dramas as of late.
Daniel MacPherson

Daniel MacPherson as Ned made for good comic relief, playing a sort of parody of himself. It was great to see the attention-hungry Ned watching himself dubbed in Thai and not-so-subtly mentioning to Dave that his show aired in the UK


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During its short history, television has always been seen as an uncultured and uneducated medium, with nicknames such as the Idiot’s Lantern and Boob Tube reflecting the commonly held perception. Other forms of entertainment, such as books, movies and plays are seen as inherently superior and culturally elite, while TV is simply seen as mindless amusement for the unwashed masses.
Carnivale featured various theological themes*

However, fans of television know that there is quality to be found on the box. Depth, complex plotlines and embedded themes are increasingly becoming present in shows, particularly dramas. One only has to look at Bad Wolf in Doctor Who or the epic struggle of good and evil Carnivale to see that this is the case. The reality doesn’t match the perception, and I believe there are several reasons why this is so


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Your Favourite Childhood Cartoons

October 24th 2006 01:53
I thought I’d take a stroll down quaint old memory lane today and revisit some of the cartoons of my youth, back when I wasn’t as jaded and cynical as I am today.

Two of my favourite cartoons were Teenage Mutant Ninja Turtles and Samurai Pizza Cats. I guess I had a thing for anthropomorphic creatures that were skilled in Japanese martial arts and that had a love of pizza


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In ratings news, these were the Top 10 Programs for Saturday October 21 (Source : Tribal Mind).

1. AUSTRALIA'S FUNNIEST HOME VIDEO SHOW (9) 1,296,000


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Jericho: Federal Response

October 20th 2006 02:45
This week’s episode of Jericho, Federal Response, was a marked improvement on previous weeks. There was a significant lack of cheesy moments, and the tension was built up successfully. There was also some nice character development.

The whole teaser section was done quite well, particularly compared to previous weeks. I liked everyone’s startled reaction to the phones ringing. No one knows who’s left in the outside world, therefore no one knows who is on the other end


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Kath and Kim farewell the ABC

October 19th 2006 01:45
Kath and Kim is set to return to Australian screens, but it won’t be on the ABC. A bidding war for the show is currently being waged between Channel Seven and Network Ten. Creators Gina Riley and Jane Turner, along with executive producer Rick McKenna, will determine which channel can offer the resources needed to carry on the show – reportedly the ABC cannot meet the growing production costs.

Kylie Minogue and Jane Turner on Kath and Kim*

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For those unfamiliar with the show, Thank God You’re Here is fundamentally about the art of bullshitting. The contestants (mostly comedians, but some celebrities) walk through a door into an unknown scenario, greeted by ‘Thank God you’re here.’ Their task is to improvise their way through the scene, which, as you can imagine, usually has hilarious results. It airs on Wednesday nights at 7.30pm on Network Ten.

Thank God You're Here
Screencap of Shaun Micallef entering the scene

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What Lies Beyond - Bindi Irwin

October 17th 2006 02:05
I couldn’t help but watch Australian Story, which aired last night on the ABC. What Lies Beyond featured those closest to Steve Irwin and how they are coping six weeks on from his death. I wasn’t alone – 1.13 million viewers tuned in. The figure isn’t exactly groundbreaking, but it is fairly significant for a show on the national broadcaster.

I’m a bit ashamed to admit this, but part of me was gleeful that the only interview Bindi Irwin has given was on the ABC and not one of the commercial stations. The interview with Terri Irwin became such an awful ratings grab, with A Current Affair running ‘what you didn’t see’ footage the following night. That sort of sensationalism does nothing but cheapen what was quite a lovely interview


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Cheatty Cheatty Bang Bang, the third episode of Season 2 of Veronica Mars, aired late on Friday night on Network Ten. I’ve heard bad things about this season, but CCBB was very solid and enjoyable episode, very reminiscent of last year.

The mystery of the week was very entertaining, mostly because it involved characters that we know. My heart aches for Beaver/Cassidy. He’s the other child – the one his father doesn’t care for, the one that screws up. All he wanted to do was help his father out, because deep down his loves his dad and wants to be loved back, but it all went wrong. I’d also like to give props to Charisma Carpenter. She’s doing a great job at playing a self-centred bitch without just replaying the role of Cordelia from Buffy. Allison Hannigan fell into this trap when she let Willow shine through a bit too much in Trina Echolls.
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Walls of Jericho plods along much like the episodes that have preceded it. There are a myriad of problems, but once again the show still manages to be somewhat intriguing and sucks you in.

The characters are still very two-dimensional, which I suppose is a result of having a rather large cast. On the face of it, everyone seems to be rather idiotic. There seems to be no foresight or forward planning whatsoever. For example, although there are limited gas supplies they are still using it to power the local bar. I can understand that they want to keep morale up by having such a place open, but does the place really have to be lit up like a Christmas tree? How about a bit of energy conservation people? This also goes for the Clinic – they seem to have stuck their heads in the sand a bit regarding their fuel levels


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There are plans in my household to upgrade to Foxtel Digital from our basic analogue package. I’m looking forward to it for one reason – that reason is Jon Stewart.

Jon Stewart, in case you weren’t aware, is the host of The Daily Show, a satirical news programme that delves into biting political commentary as well as trends and social issues. It is hilarious and thought provoking, and Jon Stewart is a very charismatic presenter


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Tripping Over Ten’s Programming News

October 11th 2006 02:12
If you tune in to Network Ten you have probably seen the commercials for its new drama series Tripping Over. The show, which is set to premiere Wednesday 25th October at 8.30pm, is an Australian/UK co-production which follows five young travellers whose lives converge during a stop-over in Bangkok.

This is appears to be the most promising Australian drama of recent times, although that’s not much of an achievement considering the other offerings. It will remain to be seen whether it will suffer the same script and cultural-cringe problems that most of these shows face, and end up dieing a slow and painful death – hauled out during summer to fill a programming gap like Headland or Last Man Standing
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It’s been announced by Foxtel that an Australian Sci Fi Channel will be launched on December 1st. This is exciting news for Australian Science Fiction fans, even if the channel will only be available to Foxtel Digital subscribers. Sci Fi is seen as somewhat of an outside genre here; The Powers That Be seem to condemn the production of any Australian content with these sorts of themes. Even Science Fiction books by Australian writers have difficultly making it to the shelves.

As for any Sci Fi shows that come our way, Free to Air usually throws a few scraps to the viewers, airing episodes in late night spots, often out of order and sometimes skipping episodes entirely. Foxtel up until now has offered a splattering of the genre, mostly between the channels Fox 8 and TV1. Therefore, it’s not surprising that the TV1 General Entertainment Partnership will be operating the channel. It will be a new era in Sci Fi for Australia – dedicated broadcasting 24 hours a day


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The beach scene is a resolution to those who have been left behind. Rose, no longer able to hold the hand of the Doctor; Jackie, left on Earth wondering about the safety of her daughter; Mickey, left on Earth by Rose only to leave her on another world; and Pete, dead in one world and a widower in this one. Now, in this parallel world, those left behind are together, the loneliness eased because they know and understand each other’s pain.

The theme of loneliness is most evident in the final, emotional farewell between Rose and the Doctor. As he says, "I'm burning up a star just to say goodbye." I think that shows how important it is for him to say goodbye to Rose; to show that, if at all possible, they would have travelled together forever. Although it is awful that he doesn’t get to return her ‘I Love You,’ it is also fitting – it satisfies the Rose/Doctor shippers, who believe if time hadn’t run out he would have said the words. It also satisfies those who didn’t think he truly loved Rose, or believed that she is just his companion, just like the many who have come before. Due to his tears at the end - speaking of which, have we ever seen the Doctor cry before? - I think he would have said it had their time together not run out. Besides, I think it is actually better for Rose that he wasn’t able to say the words – it would have left her with a finality that I don’t think she wants. It allows her to think that somewhere, the Doctor is searching for her, so he can say those words


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Doomsday is the absolutely stunning finale to Season 28 of Doctor Who. While his earlier episodes may have their faults, Russel T Davies sure knows how to bring season-long story arcs and themes together into a fantastic episode.
First things first, the meeting between the Daleks and the Cybermen was brilliant. The dialogue demonstrated well the protocol-based approach of the Cybermen and the absolute egomania of the Daleks. Mickey’s line, “It’s like Stephen Hawking meets the speaking clock,” was particularly fitting. Anyone who has awoken to one of those talking alarm clocks screeching at you knows that it is an apt comparison.

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Overall, Four Horsemen, the third installment of Jericho, was another fairly enjoyable episode. The intrigue is building as to who is behind the attack, and its interesting to know that others have survived. It also appears that America may have been the only country where explosions have happened, but it is a bit early to say just yet. I suppose that makes sense really – America is the West’s only real superpower, despite Doctor Who’s valiant efforts to convince us that Britain is the centre of the universe.

The character of Jake Green is starting to irk me. However, I do have a tendency to reject people that are set up to be the hero, such as the annoying 'leader' Jack on Lost
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Return to Veronica Mars

October 5th 2006 01:40
I am absolutely captivated by the show Veronica Mars. The petite blonde with the quick wit has earned a place in my must-watch schedule. Thankfully, it is finally returning at 10.40pm Friday night - after a four week hiatus - with the second episode of Season 2, Driver Ed.

Fans of Veronica consider themselves lucky that the show is actually on the air, even if it is in the hellish timeslot of ‘whenever the Friday night movie ends’, served with a splash of ‘move to make way for footy finals and/or long movie.’ Channel Ten had previously decided that the best timeslot for the show was smothered in between the torture of Friday Night Games and Big Brother Up-Late. Perhaps they had the misguided notion that the sizeable ratings for the FNG would transfer over to the teen drama. They were sorely mistaken – Veronica’s ratings were poor considering the lead in. However, the programmers obviously didn’t realise that there are more to audiences than demographics – the target market of Veronica Mars is a planet away from that of the Big Brother franchise, despite being of similar age


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There is new evidence that nostalgia programming is a spreading disease, infecting other timeslots and channels. As if Channel Nine’s continuous barrage of it wasn’t enough, Channel Seven have decided to jump on the bandwagon.

Seven yesterday announced that its new show, That’s Gold, will premiere on Sunday 15th of October. It will take the audience through memorable moments in TV’s 50 year history, including comedy, sport, bloopers, drama and entertainment


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I'm sick of memory lane, Channel NIne

October 3rd 2006 02:34
Channel Nine fell deeper into the depths of nostalgia by launching its new show last night, What A Year. With that, 20 to 1, and the parade of 50 Years of TV flashbacks that have been aired, Channel Nine may as well pick a year gone by a set up shop there, because they certainly seem to have forgotten that it’s the 21st century.

I don’t mind the occasional trip down memory lane, but when every time you turn it on decade-old footage is screening, it gets a tad irritating. Are they even showing any current programs anymore? A quick perusal of their TV guide shows a splattering of CSI and little else


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The penultimate episode of Season 28, Army of Ghosts, is a fantastic beginning to the two-part finale. All the concepts and mysteries from the previous episodes are culminating, much in the same way that the two universes are crashing together. This collision is both beautiful and chaotic.

In this chaos there is order and predestination. Fate has brought Rose and the Doctor to a place where their previous adventures are converging – this day has been coming, there have been signs foretelling it. Perhaps the Bad Wolf is still acting behind the scenes. It was mentioned in Love and Monsters as having deleted Rose’s information from the Torchwood archives after all


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